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The Beat Hotel: Ginsberg, Corso, Burroughs and others: the beat of the Paris adventure / Barry Miles ; translation of Frank Bandel Dragone - Parma: Bloomsbury Publishing, [2007] - 323 p. 22 cm. - Euro

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The Beat Hotel is a hotel of the lowest category on the Rive Gauche in Paris, and was closed for more than 40 years. But since 1957, the year of publication of "Howl" until 1963, this hotel was the Paris home Allen Ginsberg and Peter Orlowsky, Gregory Corso and William Burroughs. In its bare rooms and the poor have seen the light of poems like "Kaddish" and novels like "Naked Lunch," in its corridors have come and gone loves and sexual encounters of the literary stars of those years, just outside its walls are worn friendships and strange adventures in Paris, all in the name of rebellion and disorder, which was the essence of the beat.

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AN EX MEMBER OF PDL return "MSI" and rediscover Giorgio Almirante ...

There Donna Assunta in the front row. In the audience, the general staff of the PDL Lombard. And not only. On stage, tricolor, the national coordinator Ignazio La Russa and Undersecretary Alfredo Mantica. All at the Teatro San Babila to pay tribute to Giorgio Almirante, who died May 22, 1988. Three generations of the right side by side to commemorate the historic leader of the Italian Social Movement. Veterans claiming: "We have not disavowed his ideals."
Any reference to those who would have done is merely wanted. It is he, Gianfranco Fini, the stone guest. A portion of these five hundred militants (many others have been left out for reasons of public order) bluntly accuses him of being a "shameful": the old MSI, merged in the first and then the National Alliance of People's liberties, struggling to forget the choices of the "dolphin," which would "betrayed" the mission entrusted by the chief himself shortly before his death. "Dolphin", a word that echoes in the theater more than once. On the big screen scroll the frames of the documentary about Almirante: the accusations of 'shot' in the years of Fascism (epithet ironically the political shots in his autobiography), divisions, the core values. And the summer of 1987 when the historic leader Fini MSI crowned as his successor: "A Capo Taormina - La Russa recalled - with the secretary, my father, Pinuccio Tatarella and women of the Assumption, was given the go-ahead for his candidacy. " The coordinator of the PDL Lombard, Mario Mantovani, the bubble as "the only mistake made by a great man." The correct
Deputy Mayor Riccardo De Corato ("The responsibility is more than some of us) and the Minister of Defense:" It was wrong to choose Fini, was a right way for the future. It was Fini, later, to have been wrong. " Donna Assunta avoids the topic: "Why do you want to ruin my day? - Smiles - Milan today gives me the memory of George, the values \u200b\u200bare right here. " Values \u200b\u200bfrom which inspired the Berlusconi government sworn Massimo Corsaro, "The school reform based on accountability and action in public administration - heats the vicar deputy leader of the PDL in the House -. Fiscal federalism, the renewed credibility of the Armed Forces and the defense of life from birth to death. "
So, the long movie, full of anecdotes about unusual Almirante (the voice is the actor Giorgio Albertazzi): the scarf over her eyes to sleep in third class and Fanfani coat worn by mistake after a day in Parliament. The indefatigable political Almirante, respected even by their opponents for the rare moral and speaking skills. And yet, the campaign for the dissolution of the MSI, kidnappings in the premises of party, the investigation of the judiciary. Far short century, the twentieth century, for animating the undisputed of the Italian right. To applaud, even the new faces of the PDL in Milan: from Antonluca Romano, a number of Young Italy, Benedetta Borsani, front row, even the most experienced Carlo Fidanza, Marco and Viviana Beccalossi Osnato. Moreover, the local elections are just around the corner. And inevitably return Fli and the third pole in the center of the debate. The Russian then closes the circle: "We will lose more than five votes." Or, to quote the joke of his mentor after the demerger of National Democracy, "will become a code number: 02, 03, 04 ...».
Milan, March 6, 2011
(Source Day)

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's Italian Humanism: Philosophy and civic life in the Renaissance / Eugenio Garin - Bari: Laterza, 1965 - 276 p. , 18 cm. - Euro
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The author
inner world. The layout that envelop the man in the "Process", in "Castle", in "America", or create impenetrable barriers in "A Message of the Emperor," are a reflection of the same machine from which the narrative takes the form 'Kafka-esque statement. The architecture is an obstacle, an enigma, bureaucracy made tangible. It is also the dark and magical atmosphere of Prague feverishly to pervade the entire work of Kafka. So many possible interpretations are offered to those who want to move in this new den Kafkaesque. One caveat however, goes on: is posted in addressing the problems, do not like the land surveyor K. in "Castle", because the architecture is like Klamm has a thousand faces, is a Proteus.

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's implosion postcontemporanea: Art in the Age of the Web total / Joseph Frazier

- Troina: Open City [2002] - 217 p. : Ill. , 21 cm. - Euro

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The essays in this book outlines the characteristics of deep pathos typical of current artistic situation. Indeed, to use the name that the author has given her: the situation postcontemporanea. To clarify, it should be noted that the postcontemporaneo continues to expect that the promises of modernity come true, but knowing how impossible today. Those promises for the artists involved the opportunity to review critically the tradition, freeing the thousands of creative potential that previous conceptions of art even consider. A release at least partially achieved, but at the price of almost unbearable to decline (except for a loss) for the meaning and value that art had for centuries maintained. The book, the fruit of a long meditation by a militant critic (worshipers inside the coherence of philosophical knowledge, and therefore more attentive to the unscrupulous art research openings postcontemporanea) An analysis of pragmatic and philosophical origins of the current crisis, and briefly alludes to some of today's trends, including painting and "surf the Web, video games and dance. In the background, the argument put forward in this book retains some of the issues that continually returns: the anthropological implications of artistic, traditional categories of aesthetics (in particular, the Beautiful and the Sublime), the question of technique, the clash between individual and social globalization.

Joseph Frazier teaches History of · art at lst Academy of Fine Arts in Catania. D ° as a critical art works or has worked with magazines "Sign", "The Journal of · Art", "Tema Celeste", "TerzoOcchio", "Apeiron" (of which he was editor) and the daily "La Sicilia", "Journal of the South", "Espresso Evening / Corriere di Sicilia ". He has organized numerous exhibitions d ° art, and published several essays on art criticism and aesthetics. In 1984 he was awarded the Premio Brancati-Zafferana. He is currently Artistic Director of multi-year initiative "Castelmola City of Artists" is also the curator of a museum project for the young artists of the Norman Castle of Acicastello (CT).

Menstruation Numbness

The tracks of 'bombing / Lori
Machiavelli - New York: Mondolibri, print 2007 - 144 p. , 20 cm ((ed. licensed by Giulio Einaudi Editore)) - Euro 04.00.

The author

Bologna, mid-seventies. Someone blows up the Army radio station, killing four soldiers. In the minutes after the massacre, a car with three men on board forces a checkpoint. Sarti Antonio, Sergeant, pursues and manages to arrest the three. For the entire city the case is resolved, but Sarti, stubborn, angry and intelligent enough, it's just the beginning. Character of the most characteristic of the Italian yellow, Sergeant Sarti spent his first adventure in this novel, published for the first time thirty years ago, and already shows all the characteristics that made him famous: stubbornness, a spirit of contradiction, alternating moments of indolence and frenzy, as the symbol of a city bewildered.